Musik Indonesia

Grup band pemenang American Music Award, Daughtry, menggelar sebuah konser eksklusif bertajuk Traffic Jam Street Party di Plaza Parkir Timur Senayan, Jakarta, Jumat (25/7) malam.

Kelompok yang beranggotakan Chris Daughtry (vokal), Josh Steely (gitar), Josh PaulJoey Barnes (drum), dan Brian Craddok (gitar), datang ke Jakarta khusus untuk menghibur para pengguna telepon seluler dengan musik (ponsel walkman, red) yang diluncurkan oleh Sony Ericsson. (bass),

Daughtry membawakan 12 lagu, di antaranya lagu hits mereka It`s Not Over, Home, dan What I Want. Grup beraliran musik rock n roll ini baru pertama kali tampil di Jakarta dan sempat menikmati suasana Jakarta sebelum konser.

"Kami pergi ke mal membeli burger dan kopi yang sama mereknya dengan di Amerika, rasanya nikmat. Kami juga melihat lalu lintas di Jakarta yang selalu macet," ujar pentolan Chris seraya tersenyum.

Chris adalah juara 4 American Idol 5. Ia tidak menampik kesuksesan kelompok band ini di pentas musik Amerika dan dunia juga berkat kesuksesan di American Idol.

Soal nama band Daughtry, diakui Chris diambil dari namanya. Hal ini bukan karena Chris sebagai pendiri grup band, melainkan karena nama tersebut dianggap lebih dikenal penikmat musik.

"Daughtry memang diambil dari namaku, tapi setiap personil memiliki andil yang besar dalam band ini, jadi tidak selalu aku yang mendominasi," katanya.

Para personil grup band Daughtry berasal dari negara bagian North Carolina, Amerika Serikat. Album perdana kelompok ini diberi judul sama dengan nama grup bandnya dan dirilis pada 21 November 2006.

Album Daughtry bertahan di 10 besar tangga lagu selama berbulan-bulan, terus menanjak hingga berhasil menduduki posisi puncak pada Januari 2007 dan bertahan di posisi tersebut selama dua minggu pada tangga lagu Billboard 200.

Album tersebut terjual sebanyak empat juta kopi dan diberi predikat album dengan penjualan tertinggi 2007 oleh Billboard. Pada 21 Juni 2007 album tersebut dianugerahi Triple Platinum.

Frontman Maroon 5, Adam Levine, adalah orang pertama dalam band yang jatuh cinta pada yoga. Sekarang dia dan teman-teman bandnya bersikeras untuk membawa ahli yoga dalam tur mereka.

"Kami cukup beruntung bisa memiliki instruktur khusus yang bisa terus bersama kami setiap hari, jadi kami bisa terus mempraktekkannya," kata Levine.

"Yoga membantu otakmu, dan membantu tubuhmu. Dan yoga akan membantu hidupmu secara umum."

Levine juga bertutur pada Eonline.com bahwa yoga adalah cara yang hebat untuk menyatukan band itu.

"Semuanya melakukan yoga, cukup menyenangkan untuk kami lakukan bersama. Sangat melegakan," tambahnya.

Band rock asal Glasgow, Skotlandia, Franz Ferdinand

Saat berbicara pada BBC Music 6 dalam Festival Latitude akhir minggu kemarin, band itu mengatakan bahwa mereka telah menyelesaikan rekaman album mereka. Tapi mereka menambahkan bahwa album tersebut masih perlu proses mixing.

Walaupun begitu, band ini juga membicarakan tentang perpisahan mereka dengan produser mereka, Brian Higgins. Higgins telah membangun reputasinya atas kerja samanya dengan Girls Aloud, Sugababes, dan Kylie Minogue.

Frontman Franz Ferdinand, Alex Kapranos mengatakan, "Brian adalah orang yang sangat hebat dan apa yang mereka lakukan di Xenomania sangat unik dan tidak ada lagi yang bisa melakukannya. Namun jalan mereka benar-benar berbeda dengan kami."

Discovery-driven pickups

Taylor designers David Hosler and Brian Swerdfeger told me they had been working on the single-coil pickup design throughout the development of the Solidbody series. The challenge: come up with a new single-coil pickup design with a great sound that inspires great playing. Like the design of their acoustic guitars, the fundamental process wasn't calendar- or market-driven; it was discovery-driven—the pickups were done when they were done. That meant lots of experimentation with basic pickup components—magnets, coils, pole pieces—looking at them in new ways, taking nothing for granted. Lots of "What if we did this?" and "Hey, that was cool."

Brian says it was important to maintain the vintage single-coil sound that players love, while improving on it. Other pickup manufacturers would experiment with a heavier wire gauge or a different number of windings on the coil. To Taylor, that's the same as trying to improve a car engine by changing the tires. Instead it's important to work on the engine. The key was understanding how the magnetic energy—or flux—of the pickups could be focused and shaped by the positioning and composition of the magnets. Most pickup magnets are alnico, ceramic, or in some cases, samarium cobalt. Taylor chose sintered neodymium magnets which can be molded to create a flux pattern achieving the desired power output.

The more they experimented, the more they learned. As David recounts, a breakthrough in creating an original design occurred when an assistant came to him and explained how he "bent this and twisted that." He contrasts this tweaking of a component in different ways to the ancient Mayans who apparently didn't think to turn their round grinding stones on their edges to make them into wheels.

Strictly speaking, these aren't single-coil pickups. To make their pickups noiseless, Taylor uses two coils to produce what is technically called "common mode rejection." But, as David and Brian are careful to point out, these are neither humbucking pickups nor a stacked design. Brian says as soon as you say "stack" everyone thinks of the stacked pickups from the early '80s. Although those pickups were humbucking and produced a fatter sound, they gave up the sweet top end tone that players love in single-coils. The Taylor pickups are noiseless without compromising the single-coil sound.

Soundcheck

When I ran the Solidbody Classic SC through a well-known tube amp, I could immediately hear the distinctive single-coil tone. Their higher output more easily pushed the amp into overdrive. Backing off the gain produced a breathy top end with lots of airiness, yet not as dense as the 3/4-size Style 1 humbuckers on the Classic. The low end was full, tight, and articulate with plenty of percussive punch when needed. The five-way selector offered the neck, middle, and bridge pickups solo (1, 3, and 5), while settings 2 and 4 provided the quacky "in-between sound" of either neck/middle or middle/bridge combinations.

Taylor-made

Other than noiseless single-coil pickups, the Classic SC has the same features as the Solidbody Classic. The Classic SC has a single cutaway with beveled back and sides for more comfort and easy access to higher frets. The body wood is swamp ash topped with a retro trans white, trans red, black, or natural finish along with a crushed pearl pickguard. The distinctive Taylor neck is joined to the body with a single bolt T-lock™ neck joint. The single bolt pulls the neck down into the body and back toward the bridge guaranteeing accuracy and intonation with the look and feel of a set neck. The unique Taylor-designed bridge has an elegant smooth aluminum surface with a clean, futuristic look. The saddles are locked down so they won't move when the guitar is transported. The knobs have a lip edge for easy volume swells and come with a set of O-ring rubber grips that can be slipped on over the knobs for extra-sweaty fingers.

Strangely familiar yet totally new

With its own unique tonal flavor, the Classic SC will serve well as a genre-hopping instrument for anything from jazz, pop, and country to all shades of rock including 'billy, classic, punk, alternative, shred, and any style combination you can come up with. Now with noiseless single-coils, the Taylor solidbody electrics are fun to play and will inspire you to new levels of performance and creativity.

Features & Specs

---

• Body style: beveled single cutaway with contoured back
• Body wood: solid swamp ash
• Scale length: 24-7/8" Taylor short scale
• Neck joint: single bolt T-lock neck joint
• Neck wood: maple
• Fretboard: rosewood
• Neck shape: traditional Taylor neck
• Frets: 22
• Fretboard radius: 15"
• Bridge: aluminum Taylor-designed
• Pickups: 3 Taylor-designed noiseless single-coils
• Pickup control: 5-way selector
• Controls: master volume, master tone
• Tuners: Taylor
• Inlays: dot
• Headstock overlays: ebony
• Pickguard: crushed pearl
• Finish: trans white (shown), trans red, black or natural
• Case: Taylor rectangular hardshell

Overview

The POD® family of products from Line 6® are arguably the most recognizable signal processing devices of the last decade. The iconic “bean” shape in fire engine red is impossible to miss as it sits on mixing consoles, amps, and in front of headphone-wearing guitarists in bedrooms all over the world.

Forming the foundation of the POD experience is an amazing collection of core features. Each POD boasts a wide variety of presets, amp and cab models, effects, a chromatic tuner, headphone jack, and other choice tools. This means that every POD, right out of the box, offers supreme versatility, flexibility, and world-class tone in front of your amp, computer, and headphones. No matter what you play or how you play it, you can tailor a POD to suit your needs.

Pocket POD Battery-powered barnburner for the player on the go

Perfect for the rockstar on a student’s budget, Pocket POD is everything you need to record, rehearse, and even play live; stuffed inside a compact, battery-powered package. With hundreds of artist-created presets, amps, cabs, effects, and tone editing capability, Pocket POD is so much more than a complete stockpile of sounds—it’s the ideal tool for finding your sound. Tweak to your heart’s content and store and manage an entire library of your own creations. Plus, Pocket POD is your key to CustomTone.com, the online army of users dedicated to the quest for great tone. Share your sounds with the community and download any sounds you like.

Pocket POD makes it easy to play with friends but it’s also useful for a little personal inspiration: plug your MP3 player straight into Pocket POD and play along with your music, learn a new song or rock out to a favorite.

From the basement to the bedroom, from your back pocket to the back of the bus, Pocket POD is all you need to get started on the road to rock.

POD 2.0 Value and Versatility from the Original Bean

From the POD that started it all, you’ve finally got the collection of sounds you’ve always dreamed of having. POD 2.0 has a superb assortment of classic amps and cabs, plus some Line 6 originals that make it a great tool for writing, recording, and performing your music. With 36 presets, a wide variety of effects, and an onboard tuner, you’ve got everything you need right at your fingertips.

Plus, if you’re looking to play silently, POD 2.0 has a headphone jack for late-night practicing and A.I.R.™ direct-out technology for recording great sounding tracks to your computer, four-track, or hard disk recorder free of hassle, microphones, and volume.

If you need an all-inclusive plug-and-play tool that offers value, versatility, and ease-of-use, POD 2.0 is your bean.

PODXT/Bass PODXT Fully Loaded, Action-Packed, Ready to Rock

PODXT and Bass PODXT offer end-to-end support for players who demand full control of their sound. At the gig, in the studio, or at the singer’s apartment at 3am, your PODXT is there. Offering over 100 presets, amps, cabs, and simultaneous effects, you’ve got an incredible selection of sounds and full editing capability at your beck and call.

There’s nothing like experiencing real sonic flexibility. Editing, storing and managing your library of tones makes you wonder how you ever got by without it. With CustomTone.com you can share sounds with an entire community of players—downloading whatever inspires you—right to your PODXT.

PODXT can be your main rig but it can also act as a safety net: when you drive four hours to the gig and the backline’s in shambles, plug your PODXT into the PA. When your amp is on the fritz during an expensive studio session, plug your PODXT directly into the board via USB or 1/4" output. When you get a last-minute call for a gig and you need an entirely new assortment of sounds, download them to your PODXT and you’re out the door. Being a musician can be hard, but it just got a lot easier.

POD X3 Too Much is Never Enough

For countless working players, POD X3 is the fiery core at the center of their lives that holds everything together, bus to hotel, studio to stage. Offering unrivalled depth, flexibility, and power, POD X3 lets you achieve your sonic vision like nothing else.

Out of the box, POD X3 comes fully loaded. Designed specifically to support the demands of the working player, it includes hundreds of stunning presets and simultaneous effects, intuitive features and a staggering array of ins and outs including USB 2.0 and S/PDIF for reliable direct recording, an XLR input and many more. Whether you need to help the singer find a sound, tighten up the bass player’s tone or adjust your own, POD X3 prepares you for all situations, planned or unplanned, so you can remain focused on what you’re there to do: sound good.

More than just the guitar player’s survival kit, POD X3 is also the A/B box you’ve always wanted. The outstanding Dual Tone feature allows you to set up two sounds at once (guitar, bass, vocals, whatever you want) on two discrete signal paths each with its own effects, pan and output jack. Play stereo channels for gigs or record stereo tracks in the studio—double your tracks in half the time!

Roadworthy, reliable and packed full of features. . . if only POD X3 had a group therapy feature for your band it would truly be the perfect piece of gear.

In closing This Is (not) The End

Line 6 has developed a line of products that includes something for everybody; a line of products designed to inspire and stimulate creativity. Whether you’re buying them with your record advance or your paper route, whether you’re playing in a club, the Superdrome, or your bedroom, a POD exists for you. The best part: what you do with it is up to you.

Features and Specs:

---

Line 6 Pocket POD Guitar Multi Effects Processor Features:

• 300+ presets - including exclusive rock star presets with unrivaled tone
• 32 amp models
• 16 cab models
• 16 effects
• 4-way navigation pad
• Chromatic tuner with muting
• USB connectivity and free software from Line6.com
• CD/MP3 jack
• Portable design, hand-sized design
• Optional DC power adapter (sold separately)
• Artist presets include:
• Steve Pedulla - Thursday
• Randy Torres - Project 86
• Bumblefoot
• John Lefler - Dashboard Confessional
• Tim Wheeler - Ash
• Nick Hipa - As I Lay Dying
• Phil Sgrosso - As I Lay Dying
• Jim Ward - Sparta
• Keeley Davis - Sparta
• Matt Scannell - Vertical Horizon
• John Z - Volto
• Tim Mahoney - 311
• Marcos Curiel - P.O.D.
• Bjorn Agren - Razorlight
• Dan Estrin - Hoobastank
• JT Woodruff - Hawthorne Heights
• Jim McGorman - Hawthorne Heights
• Joel Stroetzel - Killswitch Engage
• James Valentine - Maroon 5
• 32 Amp Models based on*:
• '64 Fender® Deluxe Reverb®; '59 Fender® Bassman®; '68 Marshall® Plexi 100 watt; Marshall® JTM-45 meets Budda Twinmaster; '60 Tweed Fender® Champ®; Budda Twinmaster head; '65 Blackface Fender® Twin Reverb®; '60 Vox® AC 15 '60; Vox® AC 30 non-Top Boost; '85 Mesa/Boogie® Mark IIc+ Clean Channel; '85 Mesa/Boogie® Mark IIc+ Drive Channel; Dumble® Overdrive Special Clean Channel; '95 Mesa/Boogie® Dual Rectifier® Head; '89 Soldano SLO Super Lead Overdrive; Dumble® Overdrive Special Drive Channel; 1987 Roland® JC-120 Jazz Chorus; Line 6® Insane, and more.

• 16 Cabinet Models based on*:
• 1960 Fender® Tweed Champ®; 1952 Fender® Tweed Deluxe Reverb®; 1960 Vox® AC-15; 1964 Fender® Deluxe Reverb®; 1965 Fender® Blackface Twin Reverb®; 1967 Vox® AC-30; 1995 Matchless Chieftain; 1959 Fender® Bassman®; 1996 Marshall® with Vintage 30s; 1978 Marshall® with stock 70s; 1968 Marshall®® 4x12; Line 6® 1x12; Line 6® 2x12; Line 6® 4x10, and more. Basketweave with Greenbacks; Line 6

16 Professional Effects:

• Compressor
• Delay/Compressor
• Tremolo
• Delay/Tremolo
• Chorus 1
• Delay/Chorus 1
• Chorus 2
• Delay/Chorus 2
• Flanger 1
• Delay/Flanger1
• Flanger 2
• Delay/Flanger 2
• Rotary Speaker
• Delay/Swell
• Delay
• Reverb

Line 6 POD 2.0 Guitar Amp And Effects Modeling Processor Features:

Amp Models based on*:

• '64 Fender® Deluxe Reverb®
• '59 Fender® Bassman®
• '68 Marshall® Plexi 100 watt
• Marshall® JTM-45 meets Budda Twinmaster
• '60 Tweed Fender® Champ®
• Budda Twinmaster head
• '65 Blackface Fender® Twin Reverb®
• '60 Vox® AC 15
• '60 Vox® AC 30 non-Top Boost
• '85 Mesa/Boogie® Mark IIc+ Clean Channel
• '85 Mesa/Boogie® Mark IIc+ Drive Channel
• Dumble® Overdrive Special Clean Channel
• '95 Mesa/Boogie® Dual Rectifier® Head
• '89 Soldano SLO Super Lead Overdrive
• Dumble® Overdrive Special Drive Channel
• 1987 Roland® JC-120 Jazz Chorus

Line 6® Insane Cabinet Models based on*:

• 1960 Fender® Tweed Champ®
• 1952 Fender® Tweed Deluxe Reverb®
• 1960 Vox® AC-15
• 1964 Fender® Deluxe Reverb®
• 1965 Fender® Blackface Twin Reverb®
• 1967 Vox® AC-30
• 1995 Matchless Chieftain
• 1959 Fender® Bassman®
• 1996 Marshall® with Vintage 30s
• 1978 Marshall® with stock 70s
• 1968 Marshall® Basketweave with Greenbacks
• Line 6® 4x12
• Line 6® 1x12
• Line 6® 2x12
• Line 6® 4x10 POD 2.0 Effects
• Compressor
• Delay/Compressor
• Tremolo Delay/Tremolo
• Chorus 1
• Delay/Chorus 1
• Chorus 2
• Delay/Chorus 2
• Flanger 1
• Delay/Flanger1
• Flanger 2
• Delay/Flanger2
• Rotary Speaker
• Delay/Swell
• Delay
• Reverb

Line 6 PODXT Guitar Multi Effects Processor Features:

• Award-winning Vetta amp-modeling technology
• 32 updated amp models
• 35 classic stompboxes and studio effects
• A.I.R. II-based mic models plus amp and cab mix 'n' matching
• 64 presets
• Full MIDI control plus
• All the knobs you need for on-the-fly tonal tweaking
• USB I/O enables direct recording and access to more downloadable models and effects
• Authentic reverb sounds plus full-time compression are always at your fingertips
• Tap tempo features support for modulation and delay effects with note divisions
• ToneTransfer libraries available online for expansion of presets
• Compatible with FBV and FBC
• Chromatic tuner
• Manual mode for WYSIWYG operation
• Flash-based memory supports future operating system upgrades

Effects:

• Compressor
• Noise Gate
• Phase 90
• ADA Flanger
• Uni-Vibe
• Opto Tremolo model from '65 Fender Deluxe Reverb
• Bias Tremolo model from '60 Vox AC15
• Deluxe Memory Man
• EP-1 Tube Echoplex
• Roland Re-101 Space Echo
• Stereo Delay
• Ping Pong Delay
• Spring Reverb
• Plate Reverb
• Hall Reverb
• Wah modeled after the Vox Wah
• Volume (Preamp or postamp routing options)
• Advanced A.I.R. II with microphone placement options:
• Shure SM-57
• Shure SM-57 off axis
• MD-421
• MD-421 off axis
• U-67
• U-67 off axis

Line 6 Bass PODXT Modeler Features:

• Reengineered tone engine
• Hot amp and cab models
• Studio-quality compressor
• Biamp mode
• 4-band EQ plus 6-band parametric
• USB connection

Expanded and improved effects include:

• Distortion boxes
• Synth effects
• Reverbs
• Delays

Line 6 POD X3 Guitar Multi Effect Processor Features:

Inputs & Outputs

• 1/4" Instrument Input
• XLR Microphone Input (w/ Trim Adjust)
• USB 2.0 for Computer Recording & Tone Editing
• S/PDIF Stereo Digital Audio Output
• Stereo 1/4" TRS Balanced Line Outputs
• 1/4" Stereo Headphones Out
• FBV Connector for optional Pedal Controller
• 1/8" Stereo (CD/MP3) Jam Along Input

Controls

• Expansive Backlit LCD Display
• 8 Chrome "Amp Control" Knobs: Drive, Bass, Mid, Treble, Presence, Reverb, Tone Volume, Master Volume
• Tap Tempo/Tuner Button
• 5 Stompbox On/Off Buttons: Amp, Stomp, Mod, Delay, Verb
• Dedicated "Dual Tone" Control Button
• 5 Context-Sensitive Parameter Edit Knobs
• Dedicated Input/Output Configuration Buttons

Amp, Cab & Effect Models

• Massive model set for Guitar, Bass & Vocals
• 78 Guitar Amp Models
• 24 Guitar Cab Models
• 98 Stompbox and Studio Effects
• 28 Bass Amp Models
• 22 Bass Cab Models
• 6 Vocal Preamp Models
• A.I.R.™ II cab/mic modeling with 4 mic options each

Additional Features & Benefits

• Send Guitar through 2 Complete Amp/Effect Signal Chains Simultaneously
• Independent Tone Processing for 1/4" and XLR Inputs
• USB 2.0 Multi-Channel Digital Computer Recording (Stereo Wet/Dry Per Input)
• Studio-quality 24-bit A/D and D/A Converters and 32-bit floating point processing
• Up to 9 Simultaneous Effects Per Signal Chain, with Pre & Post Amp Routing
• Tap Tempo Control for Time-Based Effects
• Precision Chromatic Tuner, with Audio Mute & Bypass Options
• USB 2.0 Cable Included
• External Power Adapter Included

Guitar Amplifier Models based on*:

• 1. "Wide panel" Fender® Deluxe Reverb®
• 2. Fender® Bassman®
• 3. Fender® Deluxe Reverb®
• 4. Vox® AC-30
• 5. Marshall® Super Lead
• 6. Marshall® Super Lead ("jumped" channels)
• 7. Roland® JC-120
• 8. Marshall® JCM-800
• 9. Soldano SLO-100
• 10. Mesa/Boogie® Dual Rectifier®
• 11. Marshall® 1974X (18W Reissue)
• 12. Orange AD30TC
• 13. L6 Treadplate
• 14. L6 Chemical X
• 15. L6 Insane
• 16. L6 Piezacoustic 2
• 17. L6 Spinal Puppet
• 18. L6 Tube Instrument Preamp
• 19. Bogner Uberschall
• 20. Cornford mk50h
• 21. Diezel VH4-Lead
• 22. Diezel Herbert
• 23. ENGL® Powerball
• 24. Marshall® Silver Jubilee
• 25. Marshall® JCM-900-Clean
• 26. Marshall® JCM-900-Dist
• 27. Marshall® JCM-2000
• 28. Mesa/Boogie® Triple Rectifier®
• 29. Peavey® 5150 II®
• 30. Bogner Ecstasy
• 31. Diezel VH4-Crunch
• 32. Fender® Vibroverb
• 33. Fender® Dual Showman® Head
• 34. Marshall® JMP-1
• 35. Vox® AC-15
• 36. Mesa/Boogie® Mark IIc+
• 37. Fender® Bassman® Head
• 38. Gretsch® 6156
• 39. Fender® Mini Twin Reverb®
• 40. Gibson® GA-18 Explorer®
• 41. Marshall® Super Bass
• 42. Marshall® Major
• 43. Silvertone® Twin Twelve
• 44. Supro® Thunderbolt
• 45 . Vox® Fawn Non-Top Boost AC30
• 46. Dumble® Clean
• 47. Soldano SP88
• 48. Marshall® JCM 2000
• 49. Marshall® Super Lead Variac
• 50. Matchless DC-30
• 51. Blackface Fender® Twin Reverb®
• 52. Marshall® "Block Logo" JTM-45 head
• 53. Matchless Chieftain
• 54. Supro® S6616
• 55. Fender® Tweed Champ®
• 56. Hiwatt® DR-103
• 57. L6 Big Bottom
• 58. L6 Fuzz
• 59. L6 Octone
• 60. L6 Smash
• 61. L6 Sparkle Clean
• 62. L6 Throttle
• 63. L6 Clean
• 64. L6 Mood
• 65. L6 Agro
• 66. L6 Class A
• 67. L6 Variax Acoustic
• 68. L6 JTS 45
• 69. L6 Lunatic
• 70. L6 Bayou
• 71. L6 Crunch
• 72. L6 Purge
• 73. L6 Sparkle
• 74. L6 Super Clean
• 75. L6 SuperSpark
• 76. L6 Twang
• 77. L6 Chunk Chunk

Bass Amplifier Models based on*:

• 1. Ampeg® SVT
• 2. Ampeg® B-15A
• 3. Eden Traveler WT-300
• 4. Fender® Bassman® head
• 5. Gallien Kruger 800RB
• 6. Hiwatt® DR-103
• 7. Hiwatt® 200DR
• 8. Fender® Dual Showman®
• 9. Fender® Bassman® Combo
• 10. Mesa/Boogie® Bass 400+
• 11. Polytone Minibrute
• 12. Sunn® Coliseum
• 13. SWR® SM-500
• 14. Versatone Pan-O-Flex
• 15. Vox® AC-100
• 16. Marshall® Major
• 17. Marshall® Plexi Super Bass
• 18. Acoustic 360
• 19. Aguilar® DB750
• 20. Alembic F-2B
• 21. L6 Tube Bass Preamp
• 22. L6 Classic Jazz
• 23. L6 Brit Invader
• 24. L6 Super Thor
• 25. L6 Frankenstein
• 26. L6 Ebony Lux
• 27. L6 Doppelganger
• 28. L6 Sub Dub

Stompbox and Studio Effect Models Based on*:

• 1. Teletronics LA-2A®
• 2. EP-1 Tube Echoplex
• 3. Electro-Harmonix® Deluxe Memory Man
• 4. Uni-Vibe
• 5. MXR® Phase 90
• 6. Fender® Deluxe Reverb® Tremolo
• 7. Leslie® 145
• 8. Arbiter® Fuzz Face
• 9. Ibanez® Tube Screamer
• 10. Big Muff Pi®
• 11. ProCo Rat
• 12. Maestro® Bass Brassmaster
• 13. Sans Amp Bass Driver
• 14. Arbiter® Cry Baby
• 15. L6 Vetta Comp
• 16. L6 Sub Octaves
• 17. L6 Slap Plate Reverb
• 18. L6 Male De-Esser
• 19. L6 Female De-Esser
• 20. L6 Vetta Wah
• 21. L6 Digital Delay
• 22. L6 Six band semi-parametric EQ
• 23. L6 Flanger
• 24. L6 Sine Chorus
• 25. L6 Noise Gate
• 26. L6 Standard Spring Reverb
• 27. L6 Brite Room Reverb
• 28. L6 Medium Hall Reverb
• 29. L6 Cavernous Reverb
• 30. L6 Bender pitch effect
• 31. Boss® CS-1 Compressor (treble switch)
• 32. Tycobrahe Octavia®
• 33. Binson EchoRec
• 34. Maestro® EP-3 Echoplex
• 35. Boss® DM2 Analog Delay
• 36. Roland® RE-101 Space Echo
• 37. Square CE-1 Chorus
• 38. A/DA Flanger
• 39. Boss® CS-1 Compressor
• 40. MXR® Dyna Comp
• 41. Vox® V847 Wah
• 42. Custom Vox® V847 Wah
• 43. Colorsound® Wah-Fuzz
• 44. Maestro® Boomerang Wah
• 45. Cry Baby® Super - Jen Electronics
• 46. RMC Real McCoy 1 Wah
• 47. Mu-Tron® III Down
• 48. Moog and ARP style synth filters
• 49. Moog Lead
• 50. ARP Solina / Elka® Strings
• 51. Boss® Metal Zone MT-2
• 52. Chandler Tube Driver®
• 53. Fender® Vibratone
• 54. L6 Sweep Echo
• 55. L6 Reverse Delay
• 56. L6 Stereo Delay
• 57. L6 Ping Pong Delay
• 58. L6 Small Room
• 59. L6 Lux Spring
• 60. L6 Auto Swell
• 61. L6 Auto Pan
• 62. L6 Large Hall
• 63. L6 Vintage Plate
• 64. Mu-Tron® III
• 65. 1960 Vox® AC15 Tremolo
• 66. L6 Tiled Room
• 67. L6 Rich Chamber
• 68. L6 Large Plate
• 69. Boss® CE-1 Chorus Ensemble
• 70. L6 King Spring
• 71. L6 Dark Hall
• 72. L6 Chamber
• 73. Boss® Metal Zone
• 74. L6 Vetta Juice
• 75. L6 Boost & EQ
• 76. L6 Clean Sweep
• 77. L6 Seizmik Synth
• 78. L6 Double Bass
• 79. L6 Buzz Wave
• 80. L6 Rez Synth
• 81. L6 Saturn 5 Ring Mod
• 82. L6 Synth FX
• 83. L6 Synth Harmony
• 84. L6 Squarge Chorus
• 85. L6 Expo Chorus
• 86. L6 Random Chorus
• 87. L6 Square Flange
• 88. L6 Expo Flange
• 89. L6 Lumpy Phase
• 90. L6 Hi-Talk
• 91. L6 Sweeper
• 92. L6 POD Purple X
• 93. L6 Random Sample and Hold
• 94. L6 Tape Eater
• 95. L6 Warble-matic
• 96. L6 Low Rez Delay
• 97. L6 Phaze Eko
• 98. L6 Bubble Eko

Vintage and Modern Preamp Models based on*:

• 1. API® - 512c with API® 550b EQ
• 2. Neve 1073
• 3. Avalon Vt737
• 4. Requisite Y7
• 5. L6 Solid State Console
• 6. L6 Lo-Fi

Phonic released the WM series of UHF wireless transmitters and receivers back in 2005, and almost immediately they took off. The original WM series receivers were compatible only with our Performer Series speakers, but to meet customer demand for this technology, we released a universal receiver in early 2006. These systems were a hit with professional users and novices alike, but Phonic engineers saw areas for improvement and ways to incorporate new technology, so they began developing the new Phonic W5 Wireless Speaker System.

Developing the W5

First and foremost, we didn't want to revisit old ground. That being the case, digital methods of wireless transmission were employed and the Phonic engineeers devised a couple of digital input and output methods for the W5. They included USB input on the transmitter and optical S/PDIF output on the receiver. Through the USB port, users can connect to their computer and select the W5 as their default audio output device, allowing wireless streaming of audio directly from the computer. The S/PDIF output on the receiver allows for the units to be connected to many modern home speaker systems.

Friendly features

We also wanted to create a wireless system that was more user friendly than before. Being that a good number of our customers were novices, they didn't want to deal with picking channels and checking for interference in frequencies. The 2.4GHz digital transmission took care of the interference, and the one-button connection method eliminated a complicated setup process.

The RCA connectors were something that customers thought were a good compromise between pro and consumer audio. All modern mixers have RCA two-track output, and you can find RCA inputs on just about every home stereo system, so it was an easy choice. The RCA connections were a particular request from many DJs who could set their gear up more quickly if they didn't need to run cables between their booth and amps and/or speakers.

Including a rechargeable battery to the receiver unit was just natural since many speaker systems include battery power themselves. The battery allows you to play audio from inside a house, hall, venue, or wherever, with a CD player, computer, or MP3 player and direct the signal outdoors to an area where no power is available. With the ability to support up to five receivers with a single transmitter unit, it is easy to have multispeaker setups, including surround sound.

Possible applications

• Clubs/DJs—RCA connectors make the unit ideal for band and mobile DJs
• Outdoor parties/BBQs—Play music inside through your computer, MP3 player, and receive the signal outside
• Household audio system—For people who like to play music through their computer: connect the transmitter to the computer, and place receivers in different rooms of the house
• Connecting to a remote mixer—Send the signal from a mini-mixer in one area of a venue to the main board through the RCA 2T (two-track) inputs

Features & Specs

---

• Wireless audio system
• Easy, one-button setup
• One transmitter and 2 receivers
• 2.4GHz PCM transmissions
• RCA I/O on transmitter and receiver units
• USB 2.0 transmitter input
• Optical S/PDIF receiver output
• 1100mAH Li-ion battery embedded into receiver with a life up to 4 hours
• Support one to 5 receivers with one transmitter
• Audio transmission up to 100 meters
• 16-bit audio with selectable 32, 44.1, and 48kHz sampling rates

SEBUAH peristiwa besar yang belum pernah terjadi selama ini, dapat kita saksikan di Ballroom Twin Plaza Hotel Jakarta, minggu lalu (17/7). Di situ, 410 musisi yang tergabung dalam 82 band dari seluruh penjuru tanah air merilis bareng album rekaman mereka. Aksi ini diprakarsai oleh Akalliar dan di-support oleh Soetrisno Bachir Foundation (SB Foundation). Soetrisno Bachir menyebut aksi itu sebagai ide gila. “Insan partai politik tidak akan pernah paham terhadap gagasan semacam ini. Tapi saya mampu menangkapnya, dan saya menyukainya. Makanya saya support kegiatan ini,” ungkap pengusaha yang juga ketua umum PAN yang akrab disapa SB itu di hadapan hadirin yang manyaksikan launching 8 Album Kompilasi Akalliar siang itu. SB mengaku menyukai musik, bahkan tanpa musik dirinya bisa sakit dan akan kekeringan inspirasi. Oleh sebab itu, dalam setiap kesempatan senggang ia selalu menikmati alunan musik. “Musik adalah kreasi yang dapat memacu tumbuhnya kreativitas baru. Bangsa yang maju adalah yang bisa menghargai musik. Tetapi maaf, di Indonesia musik belum memperoleh tempat sebagaimana mestinya. Saya komit untuk memperjuangkan musik bersama para musisi, baik yang tergabung di sini saat ini ataupun yang di luar sana. Juga memajukan bidang-bidang seni lainnya,” ungkapnya. “Saya berharap para musisi mampu mewarnai kehidupan bangsa Indonesia dengan spirit membangun. Luncurkan kreativitas musik anda yang mampu memberi inspirasi positif bagi warga bangsa. Berterimakasihlah kepada para senior yang sudah memberi jalan berkreasi, dan mari kita tunggu ide gila selanjutnya dari seorang Ali Akbar,” tutur SB pada akhir sambutannya yang disambut gemuruh oleh hadirin.

AKAL LIAR merupakan perusahaan rekaman pertama yang berani merilis delapan album sekaligus. Produk tersebut tergolong dahsyat sebab memuat kreasi lagu 82 grup band maupun penyanyi solo karier, dan CD-nya dijual hanya dengan harga Rp 8.000 perkeping.
Dari total peserta tersebut, setelah dilakukan seleksi, terdapat 131 lagu yang dinyatakan layak kualitas, dan pada minggu lalu dirilislah sejumlah 82 lagu milik 82 grup band dan penyanyi solo karier yang dikemas menjadi delapan CD album. Pada kesempatan launching, 16 band di antaranya ditampilkan di atas panggung, yaitu Valencia (Jakarta), De Not 7 (Medan), Spaghettie (Magelang), Simetris (Kediri), The Rolling Doors (Bogor), Akar (Riau), Amarta (Tangerang), Toast Barock (Batam), Benk Benk (Aceh), Sendy (Sidoarjo), IndigoChild (Makassar), Yellow (Jakarta), Little Star (Malang), Sanksoet (Yogyakarta), El-Jomblo (Samarinda) dan Seega (Jakarta).
RYS diselenggarakan oleh PT. Akal Liar yang dimotori Ali Akbar, dibantu oleh Ian Antono (pentolan God Bless) dan Iwan Xaverius (mantan bassist Edane) sebagai tim seleksi lagu para peserta. Pendaftaran peserta dapat dilakukan di kantor-kantor perwakilan Akalliar yang terdapat di hampir setiap kota di seluruh Indonesia. Perwakilan ini pulalah yang akan bertindak selaku agen dan penyalur produk-produk rekaman musik Akalliar.
Pada kesempatan launching itu, 410 musisi dari seluruh Indonesia duduk bersama-sama, didampingi Soetrisno Bachir, Ian Antono, Ali Akbar, Iwan Xaverius dan sederet tokoh pengelola perwakilan Akalliar dari seluruh Indonesia. “Ini benar-benar gagasan liar, baru dan seru,” celetuk salah seorang hadirin dari kalangan wartawan di acara itu.
Dalam sejarah belantika musik, kegiatan ini tercatat sebagai hal terbesar pertama. Oleh karena itu, Dewan Pertimbangan Rekor Dunia Indonesia pada Badan Musium Rekor Indonesia (MURI) menganugerahi Akalliar dan Soetrisno Bachir Foundation sebagai pemrakarsa “Rilis Album Rekaman dengan Band dan Artis Terbanyak”.

diambil dari : Kapanlagi.com

Disebut oleh Ronny – bassist Cokelat, bahwa ini seperti menjadi pertanda Cokelat sudah tidak muda lagi untuk rock n roll. "Sudah tidak tahan banting lagi, mungkin hanya kami (Ronny – Edwin) saja yang masih kuat."

Untuk posisi Kikan yang digantikan Emmy, Ronny tidak melihat pas atau tidaknya Emmy untuk masuk sebagai vokalis permanen di Cokelat, sebab sejak tahun lalu dikabarkan Kikan bakal resign.

"Kriteria untuk masuk Cokelat adalah mereka dekat dengan kita apa tidak. Kita tidak pernah secara mudah memasukkan orang ke dalam keluarga kita. Contohnya, Ernest – walau pun dia itu adiknya Erwin tapi dia perlu melakukan pendekatan dengan kita selama 2 tahun. Juga harus bisa buat lagu. Jadi prosesnya panjang," terang Ronny.

diambil dari : kapanlagi.com

Andi - yang biasanya menyanyikan lagu rock - mengaku membawakan lagu jazz merupakan keasyikan tersendiri buatnya. "Menarik juga, ya mungkin suatu hari bisa saja bikin lagu jazz, tapi kalau pure nyanyi jazz nggak lah, karena saya terlahir jadi penyanyi dari musik rock. Tapi di sini saya punya kesempatan untuk belajar dan nyanyi jazz. Saya tidak mau melepaskan kesempatan tersebut karena saya bisa lebih mengeskplorasi dalam bermusik, jujur aja ajakan ini tidak saya pikir dua kali, saya juga menikmati musik jazz karena pertama saya belajar nyanyi itu musik blues, ya beda-beda tipis sama jazz," ungkap personel Rif ini.

Dari musik genre rock beralih membawakan lagu jazz, tentunya bukan loncatan yang mudah, tapi bagi Andi apa yang dilakukannya bukan sebuah kesulitan malah jadi kenikmatan. "Saya bukannya mendapat kesulitan tapi justru mendapat kenikmatan. Kalau musik rock itu dituntut dengan tempo tinggi dan penuh distorsi, tapi di sini tidak dibutuhkan. Ternyata nyanyi santai juga bisa dinikmati, jadi saya mikir juga sih ngapain kemarin-kemarin saya nyanyi sambil teriak," ujarnya sambil tertawa.

Untuk membawakan lagu dalam acara ini, Andi memutuskan lima lagu pilihannya sendiri. Dalam aksi panggungnya, Andi mengaku lebih mudah menyanyikan lagu-lagu yang disukainya. "Ya kalau saya bernyanyi itu biasanya lagunya yang saya suka dan saya gemari. Langsung saya sebutin lagu Radja sama Smile Like Teen Spirit dari Nirvana. Itu tugasnya Mas Eq (Pura Diredja - musik director) untuk memperkosanya," tambah Andi.

Untuk penampilannya besok malam Andi akan membawakan lima lagu. "Dji Sam Soe Urban Jazz Cross Over" juga akan diramaikan beberapa penyanyi lain, di antaranya Glenn Fredly dan Maliq & D Essentials.

Kalian tau ga Video klipnya kerispatih yang judulnya "Rasaku ini Rasamu"? denger2 gossipnya video klipnya itu ngikutin konsep video klipnya Peterpan yang judulnya "Cobalah mengerti".
tau ga kenapa? coba kalian perhatiin, dikedua video itu konsepnya sama yaitu ada adegan penyandraan gitu, tapi setelah dikonfirmasi sama kerispatih mereka bilang wajar-wajar aja idenya bisa sama... wah2 wah.... kalo gini terus musik indonesia ga bakal maju, bakal mentok ditengah jalan, saling ngejiplak.... Piss...!!!

Mogul hip-hop ini membawa satu grup berjumlah 40 orang ke restoran Japanese Ithaca di Manchester setelah konser di MEN Arena pada akhir pekan.

Jay Z menghabiskan US$24.000 dalam satu malam, termasuk memesan champagne seharga US$1.200, beberapa cognac bernilai US$200, dan US$3.000 untuk tip para pelayan.

Sumber mengatakan, "Teman-teman Jay memesan daging Wagyu senilai US$104, sementara Jay sendiri memesan aneka ikan laut. Dia sangat kagum dengan koki di restoran itu hingga mengajaknya untuk ikut tur bersama!"

Ini bukan pertama kalinya, Jay Z menghabiskan banyak uang untuk makan. Beberapa waktu lalu, ia dilaporkan telah menghabiskan US$10.000 saat makan malam di Paris.

diambil dari : kapanlagi.com

A complete collection of POD-quality guitar amp and effect models.

POD X3 Live will inspire and amaze you with the most complete collection of POD-quality guitar amp and effect models ever. This arsenal of rare vintage treasures modern boutiques and perennial classics offers nearly unlimited creative possibilities. Built with working musicians in mind POD X3 effects processor was designed to fit right in wherever you play whether that's on stage in front of thousands of screaming fans or in the studio steadily churning out hits.

For those in search of greater tonal possibilities the Line 6 POD X3 Live gives you more power than ever before to create entirely new sounds. Split your guitar signal and play it through two guitar amp and effect signal chains at once. Use the built-in expression pedal to smoothly change the blend between the two tones or use it for wah or volume. Add bass or vocals using the bass amp and high-end mic preamp models now included in POD X3 Live. You can even plug in two instruments at once each with its own independent tone processing.

POD X3 Live pedal includes all of the inputs and outputs you need to practice perform and record. Use the 1/4" instrument input for guitar or bass and the XLR microphone input for vocals and more. During practice use the stereo headphones output to keep the noise down. For performances plug in front of your amp or directly into the P.A. Use the stereo effect loop to add in your favorite stompboxes and other effects as well. When you connect a Line 6 Variax® guitar via the Variax input on your POD X3 Live you can instantly recall POD X3 Live's amp cab and effect model settings matched with the perfect electric or acoustic guitar model-all by stepping on a single footswitch. When you're ready to record use the stereo balanced line outputs or digital S/PDIF output for traditional recording. Or use the USB 2.0 connection for pro-level multi-channel computer recording.

Whether you choose to recreate the sounds of the past or turn tradition on its ear POD X3 Live multi-effect guitar pedal comes fully-loaded with the most inspiring collection of POD-quality amps and effects for your live performances studio recordings and everywhere in between.

Features & Benefits

Electric Guitar
POD X3 Live offers a whole new level of control over your guitar tone.

Plug straight into any one of the 78 ear-shattering guitar amp models for pure unadulterated guitar tone.
Combine amp and cab models with the mouth-watering collection of 98 stompbox and studio effect models to build out your rig.
Take your sound to the next level by blasting your guitar through two guitar rigs at once to create a massive wall of sound that even guitar heroes of the past would respect.
Or plug the Line 6 POD X3 Live in front of your favorite stack or combo to pile on up to nine simultaneous effects including vintage overdrive scorching distortion beefy fuzz vibey delay lush reverb ethereal chorus irreverent flanger wah-wah to name just a handful.


Acoustic Guitar
Whether miking up an acoustic or plugging in an acoustic-electric guitar POD X3 Live will showcase the natural warmth and beauty of your instrument.

Warm up your acoustics with the high-end tube mic preamp and compressor models to bring out the natural tone of your acoustic six or twelve string. Apply a touch of color with a full palette of reverbs choruses delays EQs and other essential effects.

Bass Guitar
Whether you seek stadium rock a Motown groove or modern grind look no further than POD X3 Live.

Dial in classic bass tone using the 28 incredible bass amp and 22 bass cab models.
Bring a direct sound to life by using the modeled mic preamps and high-end compressors instead of traditional bass amps and cabs.
Add a combination of the 98 stompbox or studio effects to tweak your bass tone to perfection for practice performance or recording.


Vocals
POD X3 Live includes an XLR input for your microphone and an amazing set of effects for your vocals.

Six studio-grade vintage and modern microphone preamp models are included capture the natural warmth and richness of your vocals.
Smooth out your sound with studio grade compressors EQ's gates and de-essers.
The comprehensive collection of studio-quality post effect models at your disposal include rich reverbs vibey delays lush choruses and more.


Songwriters
POD X3 Live guitar pedal is the ultimate sonic toolbox for the creative songwriter.

With its massive set of models for guitar bass and vocals POD X3 Live will elevate your creative sketches to polished works of art.
When inspiration strikes record your guitar and vocals all at the same time to capture the magic of the first take.

Harness the Power and Flexibility of POD X3 Live

Computer Recording
POD X3 Live fits right in with whatever computer recording solution you use.

With USB 2.0 POD X3 Live can send processed and unprocessed signals to your recording software so you can always change your tone and fix it in the mix.
POD X3 Live can record 2 fully-processed instruments at once.
Split your guitar signal and record each virtual rig on separate stereo tracks to create rich layered sounds.
With on-board real-time processing POD X3 Live pedal takes the load off of your computer and eliminates annoying latency.
Use the S/PDIF digital output to plug into ProTools systems and other pro-level audio interfaces to add legendary POD tone to your recordings.


Play in front of an amp
Use POD X3 Live as the ultimate pedal board with your favorite combo or stack.

With 98 stompbox and studio effect models you have more freedom over your tone than even the largest heaviest pedal board could ever offer.
Stomp - Fuzz Distortion Overdrive and more.
Mod - Chorus Flanger Tremolo Rotary Phaser and more
Delay - More than one of each type of delay: Analog Digital Tape and a mix of specialty echoes you won't find anywhere else.
Reverb More than one of each type of reverb: Room Hall Chamber Plate and Spring models.
Miscellaneous Compressors Gate 4 Band Semi-Parametric EQ Synth and Filters Wah and many more.
Use up to 9 effects simultaneously to build the sound you're looking for.
Create rich blends of two entirely different effect chains to create a screaming wall of sound.
Plug into the PA
Plug POD X3 Live directly into the PA system for bullet-proof live sound that rocks.

Leave your back-breaking mountain of gear at home and make set up and tear down easier than ever.
Take the guess work out of getting a great live sound every time.
Use the XLR outputs to plug directly into the mixing board without a direct box.

Reasons to Upgrade from POD XT Live
POD X3 Live effects pedal delivers a ton of new features to inspire your music and simplify the creative process more than ever.

POD X3 Live comes fully-loaded with the most comprehensive set of POD® amps cabs and effects models ever. Includes models of 98 guitar amps 24 guitar cabs 98 effects 28 bass amps 22 bass cabs and 6 vocal preamps.

Designed for gigging musicians the rugged stage-ready design features heavy duty metal footswitches and a racecar-inspired Wah/Volume/Expression pedal.

Split your guitar signal and run it through two amps or two guitar rigs at the same time to create entirely new sounds that will blow your audience away.

Use the XLR input or _" instrument input to play or record two instruments simultaneously each with its own independent tone processing.

Add studio-quality POD tone to your acoustic guitar bass guitar vocals-or any other instrument you mic up-for incredible recordings and live performances.

Use the stereo effect loop to integrate your favorite stompboxes and other effects into your setup.

The enlarged display shows a complete end-to-end signal chain for each tone at a glance. Change amp or effect settings on a single page for quick and easy editing.

Use the USB 2.0 connection for professional multi-track channel recording with your favorite computer recording software. Simultaneously send a dry unprocessed signal and wet processed stereo signal for each instrument/input to your computer for convenient and flexible computer recording options.

Use the S/PDIF digital output to record digitally into Pro Tools and integrate smoothly with other audio interfaces.

© 2007 Line 6 Inc. Line 6 POD Gearbox Variax A.I.R. ToneDirect are trademarks of Line 6 Inc. All rights reserved.

Line 6 POD X3 Live Guitar Multi Effects Pedal Features:

* Inputs & Outputs
* 1/4" Instrument Input (w/ Normal/Pad Switch)
* XLR Microphone Input (w/ Trim Adjust)
* USB 2.0 for Computer Recording & Tone Editing
* S/PDIF Stereo Digital Audio Output
* Stereo 1/4" Line Outputs (with Amp/Line Pad Switch)
* Stereo XLR Balanced Line Outputs
* 1/4" Stereo Effect Loop
* Variax Digital Connector
* 1/4" Expression Pedal Input
* Midi In & Out/Thru
* 1/4" Stereo Headphones Out
* FBV Connector for optional Pedal Controller
* 1/8" Stereo (CD/MP3) Jam Along Input

Controls
* Expansive Backlit LCD Display
* 8 Chrome "Amp Control" Knobs: Drive Bass Mid Treble Presence Reverb Tone Volume Master Volume
* 5 Metal Stompbox On/Off Footswitches: Amp Stomp Mod Delay Comp/Boost
* Built-in Heavy-Duty Wah/Volume/Expression Pedal
* Metal Tap Tempo/Tuner Footswitch
* Dedicated Bank Up/Down & A/B/C/D Metal Footswitches for Preset Selection
* Dedicated "Dual Tone" Control Metal Footswitch
* 5 Context-Sensitive Parameter Edit Knobs
* Dedicated Input/Output Configuration Buttons
* Ground Lift Switch

Amp Cab & Effect Models
* Massive model set for Guitar Bass & Vocals
* 78 Guitar Amp Models
* 24 Guitar Cab Models
* 98 Stompbox and Studio Effects
* 28 Bass Amp Models
* 22 Bass Cab Models
* 6 Vocal Preamp Models
* A.I.R.™ II cab/mic modeling with 4 mic options each

Additional Features & Benefits
* Rugged stage-ready design with premium metal footswitches
* Send Guitar through 2 Complete Amp/Effect Signal Chains Simultaneously
* Independent Tone Processing for 1/4" and XLR Inputs
* 2 Chrome Handlebars
* USB 2.0 Multi-Channel Digital Computer Recording (Stereo Wet/Dry Per Input)
* Studio-quality 24-bit A/D and D/A Converters and 32-bit floating point processing
* Up to 9 Simultaneous Effects Per Signal Chain with Pre & Post Amp Routing
* Tap Tempo Control for Time-Based Effects
* Precision Chromatic Tuner with Audio Mute & Bypass Options
* USB 2.0 Cable Included
* External Power Adapter Included