Blackstar's 100-watt Artisan 100 merges American and British ideals

into a dream amp for the vintage purist who wants a variety of truly
outstanding clean and crunch tones at a ridiculously reasonable price.

Guitarists spend big bucks on certain vintage amps because their construction style and components yield tones that are difficult and sometimes impossible to replicate today. When these sounds are imitated, it’s usually by boutique amp merchants who are hand-building instruments at prices compensatory to the long hours and expensive parts that make up such a machine.

That’s changing. Master British amplifier designers Bruce Keir and Ian Robinson have united with a few of their peers to form Blackstar Amplification. Their goal is to build versatile hand-wired amps that meet or exceed the loftiest vintage standards, and yet can be purchased at prices lower than you would pay for the average production amp.

Manufactured in Korea, Blackstar’s all-tube Artisan Series amps are variations on classic themes with a few twists that you won’t find in their vintage muses. This month, I tested the “Plexi”-inspired titan of the series: the Artisan 100 head and matching 4x12 cabinet.

FEATURES

The Artisan looks very much like a boutique Plexi and, not surprisingly, it aims to recreate the classic Plexi tone. Yet, it also has a few key features and design points that make it far more versatile.

The most obvious addition to the Plexi payout is Blackstar’s four-position voice control. Typically, controls of this type are little more than a selection of resistor/capacitor networks, which alter how many highs and lows pass through a portion of the preamp. Blackstar’s voice control is far more advanced, affecting preamp gain, power amp gain, equalization and speaker damping. Mode one is low gain and high damping, much like a Bassman, while mode two is a little brighter, with low gain and high damping, like a Twin amp; mode three ups the gain and reduces the damping for an early Plexi-type sound, while mode four pumps the gain even higher and lets the speaker rumble more, like a later model Plexi.

The Artisan 100 has two channels, each with its own volume pots and two input jacks: one for high sensitivity or low sensitivity. The channels share controls for bass, middle, treble and presence. There’s no footswitch, so you have to plug into the appropriate jack to access the channel and desired level of input gain. Channel one is based on a crunchy 1959 Plexi, and channel two is more akin to a sparkling American Twin-style amp.

Dynamics and touch-sensitive responses are phenomenal through this Artisan, thanks to its hand-wired tagboard construction and massive overspecified power capacitors. Incidentally, I’ve not seen better construction or wiring on any amp, no matter where it’s made. If you want to get really wild, the two channels can be jumped and blended with a cable connected between two channel jacks. The 100 watts of power are derived from four EL34s and pushed through a very special custom output transformer. Other features include two speaker outputs, oxblood vinyl covering, finger-jointed cabs, gold piping and heavy black cane cloth. The matching Artisan stereo 4x12 is loaded with Celestion Vintage 30s.

PERFORMANCE

Anyone who thinks that an EL34 based amp can’t produce deep lows and sky-high clean headroom has yet to hear Blackstar’s Artisan 100. It’s one loud amp, and there is no loss of articulation or dynamics, even at ear bleeding volume extremes. Both channels brought incredibly lively clean and moderately overdriven tones into my sound room, reminding me of why so many guitarists think of a modified Plexi as the ultimate amp for any style of music.

As advertised, the voice control let me change the whole character of the amp, without altering the core tone. I particularly enjoyed discovering the infinite degrees of crunch possible through the Artisan 100, which ranged from a delicate bite to a malicious bone-crushing chomp that echoes with frightening authority. Control over the intensity of this head-cutter was always in my hands or at the guitar’s volume knob.

THE BOTTOM LINE

Blackstar's 100-watt Artisan 100 merges American and British ideals into a dream amp for the vintage purist who wants a variety of truly outstanding clean and crunch tones at a ridiculously reasonable price. The build quality of this hand-wired Korean-made beauty is as equal to any of the world’s top amps and the stadium rocking performance harkens back to the great amps of yesteryear.

Eternity's Master Custom Legend ET is for the player who wants a

Telestyle guitar that has the punch of a solid body and the subtle
echoing resonance of a chambered design.

Most new guitar companies are focused on creating low-cost products, while a few are firmly committed to serving the high-end market, whose well-heeled players are willing to spend more than $2,000 on a high-quality instrument, as long as it delivers something that is truly inspiring. The new Eternity Guitar Company combines both attributes by manufacturing inspirational instruments at all price levels. While its lower priced products are made in China, Eternity’s high-end instruments, like the Master Custom Legend ET that I reviewed this issue, are designed and built in the United States by master luthier John Carruthers, a legend in the guitar community.

FEATURES

Carruthers rendered the ET’s body in ash and used a superior chambered design that allows the wood’s full tonal characteristic to shine while it avoids the pitfalls of a semihollow design. The guitar’s two alnico-magnet pickups are custom wound in-house to accentuate the body’s full lows and smooth balance. Likewise, the heavy-duty cast hardware supports a controlled tonal response that is free from feedback-causing overtones.

The ET has a bolt-on “C”-shaped lacquered maple neck. It’s not a fat stick, but it’s substantial enough to stabilize the body’s resounding resonance when the strings are hit hard. The rosewood fingerboard has 22 frets and a flat, 14-inch radius that accommodates modern styles. The compensated scale length maximizes intonation accuracy, and fretwork and setup were outstanding.

PERFORMANCE

Don't let the Eternity’s familiar shape and pickup layout fool you—the guitar sounds nothing like a Telecaster. To the contrary, it’s loud and reverberant; warm, mellow and particularly clear tones are this guitar’s forte. Unlike a lot of chambered-bodied guitars, the ET is capable of stout, thumping power chords and firm chunky lows. These qualities remain even when the guitar is used with distortion, and no matter what I did, it was impossible to make the ET feed back or sound noisy. The neck pickup was very open, round and devoid of the muddy tone and thin highs associated with similar-looking pickups. Bridge pickup tones were gutsy and fat, with no honking midrange.

THE BOTTOM LINE

Eternity's Master Custom Legend ET is for the player who wants a Telestyle guitar that has the punch of a solid body and the subtle echoing resonance of a chambered design. The flat fingerboard, long-sustain and exceptionally well-behaved pickups are aimed at flattering modern styles and equipment.

Yesterday’s presidential inauguration doubled as a mini-music festival of sorts, with many of the biggest names in rock, hip-hop and R&B taking the stage at galas across Washington, DC. At the nationally televised Neighborhood Ball, Barack and Michelle Obama enjoyed their first dance as Mr. and Mrs. President while BeyoncĂ© sang “At Last.” Jay-Z, Stevie Wonder, Sting, Alicia Keys, Mariah Carey, Faith Hill and Maroon 5’s Adam Levine also performed at that event, and the group came together for an all-star rendition of Wonder’s “Signed, Sealed, Delivered.”

(Check out photos of all the biggest balls here.)

At the Be the Change Ball at DC’s Hilton Washington, Kanye West, Fall Out Boy and Kid Rock rocked the crowd, while the Western States Inauguration Ball featured Marc Anthony and Jennifer Lopez. The real all-stars of the night were the Obamas, however, as the couple managed to cameo at all 10 official balls. There were also performances by George Clinton and David Banner at the Heroes Red, White and Blue Ball, the reunited Dead at the Mid-Atlantic Ball, and countless after parties.

The Creative Coalition Inaugural Ball at the Harman Center for the Arts wasn’t one of the official balls visited by President Obama, but it was still a star-studded affair with with the likes of Scarlett Johansson and Samuel L. Jackson taking in performances by Sting, Elvis Costello and soul legend Sam Moore.

A few guests braved the chills of the red carpet, (it was actually a blue carpet, an odd Muppet-ish hue), including Anne Hathaway, who expounded on the Creative Coalition’s mission. “Art makes good citizens, art makes good people,” the Rachel Getting Married star said, sporting a new haircut and a sleek red gown. She had spent the morning on the Mall where the weather was equally chilly, but human warmth was in surplus. “There are millions of people all sitting there sending positive energy toward something,” she marveled.

Comedian Jeffrey Ross strolled by with some advice for the new president. “I want to see a basketball hoop put in the White House,” he said. “Nixon put in a bowling alley, Clinton put in a putting green. ‘The Audacity of Hoops’ — that’ll be the name of the court.”

Susan Sarandon had different hopes for the next four years. “I think [Obama]’s hopefully going to start demanding that certain things are priorities that nobody else has been caring about,” she said, “And one of them should be the vets because they’re coming home and nobody’s giving them what they need. So that’s going to be my one personal bitch.”

And with that, she was whisked off into the building for a night of peace, love and understanding.

Akai EWI USB Electronic Wind Controller

Posted by Julis D under
Use your computer and this EWI for unprecedented control over your sound.

EWI USB is an Electronic Wind Instrument for musicians looking for an easy-to-play, easy-to-use controller. Akai Professional's decades of experience in wind and electronic music instruments are rolled into Akai's most user-friendly—and most affordable—EWI ever.

Premium Pedigree
For over 20 years, Akai Professional has studied the art of playing saxophone, clarinet, oboe, bassoon, and other traditional winds and developed electronic wind instruments that enable wind players to enjoy the same expressive control as in an acoustic instrument. Akai Professional designed EWI USB to give wind players the expressive musical capabilities previously found only in much more expensive instruments.

Professional Performance
EWIs are the only choice for serious wind players looking to make music electronically. While EWI USB is easy and fun to use, it's also powerful, flexible, and—most importantly—reliable enough for use on stage and in the studio by professional musicians.

Computer Control
EWI USB's is extremely flexible because it harnesses your computer to generate its sounds. Its USB interface means that all you need is nearly any Mac or PC and the included EWI USB software, and you're ready to practice, perform, create, and record with a full collection of wind instrument sounds. Aria Player software was produced specifically for use with EWI USB, providing wind players with an unprecedented level of expressive control.

Akai EWI USB Electronic Wind Controller Specifications:

  • Sensors:
  • Mouthpiece: air-pressure level sensor & bite sensor
  • Note Keys: 13 touch sensors
  • Octave Rollers: 2 mobile, 2 fixed touch sensors (5-octave range)
  • Bend Plates: 2 touch sensors
  • Ground Plates: 2 touch sensors

    General:
  • Class-compliant, plug-and-play USB device
  • MIDI Output Channels Over USB: 1
  • Mac and PC compatible

    Hardware:
  • Dimensions: 2-3/4" W x 23-1/8" L x 2-3/4" H
  • Weight: 1.3 lb.
  • Power: ~100mA, 5V via USB
  • Terminals: 1 slave connector (MIDI over USB)

    Minimum system requirements:
  • Mac: OSX
  • PC: Windows XP or Vista
  • USB port

Akai EWI USB Electronic Wind Controller Features:

  • Electronic wind instrument controller
  • Easy to play, easy to use
  • Powerful, flexible, and reliable
  • Plug-and-play USB connection to Mac or PC
  • Custom Garritan Aria Player software, contains wind instrument sounds
  • Multiple fingering modes: sax, traditional EWI, flute, oboe, and EVI brass
  • Expandable sound palette
  • Removable, dishwasher-safe mouthpiece

    Includes:
  • EWI USB wind instrument
  • Neck strap
  • Cleaning cloth
  • USB cable
  • Software DVD
  • Quick start guide
  • Safety instructions
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