How do the mighty fall? With a heavy thud, as Chris Brown learned once news broke of an altercation involving him and his girlfriend Rihanna on Grammy Awards eve, one that sent her to the hospital with what was described as “horrific” bruises. Within hours, the 19-year-old pop star went from squeaky-clean teen idol to vilified abuser, leaving scores of artists and music business insiders perplexed. “People who know Chris and work with him day-to-day were shocked,” says a label source. “Grammy day was brutal.”

But bad could turn to worse just as swiftly for Brown. His overwhelmingly young audience (and Rihanna’s massive fanbase) is starting to turn on him and a handful of radio stations have instituted bans on his music — each on its own has the makings of a surefire career killer. “I thought it was kind of weird to be playing the music of a man who was alleged to have beaten a woman,” says DJ Java Joel of Cleveland’s WAKS-FM, who was among the first to pull all of Brown’s music from the station’s playlist. “It felt like the right thing to do.”

Of course, a domestic violence charge isn’t all that rare in the entertainment business, and in that sense, Brown isn’t in great company; Vanilla Ice, Scott Stapp and Dennis Rodman have all made headlines in the past couple years for physical altercations involving their girlfriends or wives. But that’s not to say a scandal of this magnitude can’t be overcome. R. Kelly’s court battles involving an alleged tryst with a minor dragged on for years, yet he was still able to maintain decent album sales throughout. “We live in a society that likes to forgive people,” says Howard Bragman, a longtime crisis expert and the author of Where’s My Fifteen Minutes? “As long as there’s a sufficient amount of contrition.” Update: Brown issued his first statement since the incident, saying he is “sorry and saddened” on Sunday, February 15th.

Bragman should know: he represented Isaiah Washington, Naomi Campbell and Monica Lewinsky in the midst of their own personal crises, but even he acknowledges a battery charge “is big — it’s below rape and murder and above sexual orientation slurs, but every crisis has its own DNA.” Bragman also adds that the timing and circumstance only intensifies the scrutiny. “Because the police are involved, plus it’s two superstars and it happened on the worst day possible in the worst city possible, it becomes huge. What Chris Brown needs to do is have some sort of cathartic moment — whether that be anger management counseling or some sort of rehab — and then a cathartic interview — that’s your Oprah, Larry [King] or Diane [Sawyer] — but it has to be believable. He has to fess up and own it.” Referencing a 2007 interview in which Brown claimed his stepfather used to hit his mother, Bragman adds, “The history of violence in his own family can be something that could be used on your side if you play it correctly. And his squeaky clean image is a good thing, because it means he’s a good kid who made a mistake.”

So far, the fallout has been limited to losing some radio airplay along with a Doublemint gum endorsement deal and a Body By Milk moustache campaign. Brown has also canceled an appearance at this weekend’s NBA All-Star Game. On the legal end, after Brown was released on $50,000 bail the night of the Grammys, the Los Angeles DA did not press charges; should they build enough of a case to do so, Brown will be called to court on March 5th.

“Until it’s actually proven, we’re letting [listeners] vent and talk about it — but we’re not going to pull his music,” says Ms. Smiley, music director for WHTD-FM in Detroit. Offers Bragman: “Right now, this is a marathon, not a sprint. There are so many questions still to be answered. As much as people in Chris Brown’s camp want to put this behind them, that’s not something that will happen in days or weeks; it’s more like months and years. Everybody needs to strap themselves in because it’s going to be a long bumpy ride.”

Velvet Revolver are only “weeks away” from announcing their new singer, according to bassist Duff McKagan. “It’s down to a couple of guys,” he tells Rolling Stone. “That’s way down from the 400 original guys we got submissions from.” Don’t expect it to be another superstar like Scott Weiland. “It’s not like Chris Cornell or one of those guys,” says the former Guns n’ Roses member. “We just want someone that fits. It can’t just be good. It has to be amazing or we won’t do it.”

The hunt for a new frontman — which began shortly after Weiland split from the band a year ago — has proved daunting. “We thought it was going to be real easy,” says McKagan. “After Scott left we said, ‘Ok, we’re just going to find a guy in the next couple of weeks. It’s going to be easy.’ You start hearing all these singers and you’re like, ‘This guy’s really good. That guy’s really good. Wait? Was that guy any good?’ You start getting really confused.”

On April 1, 2008, Velvet Revolver announced their official split with Weiland via a press release, citing the Stone Temple Pilots singer’s “erratic onstage behavior” and “personal problems,” and Slash told RS “We’re just excited about finding someone else and moving on.” Later that month, Velvet Revolver revealed they were setting up a Website where hopefuls could post video auditions. A month later, the band announced that they weren’t going to use a reality show to cast their new frontman, even though they’d been approached by Survivor and Rock Star producer Mark Burnett. In August 2008, McKagan denied that VR had picked up Spacehog singer Royston Langdon, but noted that the frontman is “fucking awesome.”

“We played music together and we decided we’re going to play music together again,” Travis Barker told the Grammy audience when Blink-182 reunited to present the Best Rock Album award Sunday night. For Blink, it was their first time onstage together since December 2004, two months before the band went on an indefinite hiatus. Now that the band has confirmed a new album is in the works, Rolling Stone is taking a look back at their history in a new photo gallery: Blink-182’s Rock Show.

Blink-182 formed in 1992 in Poway, California, but it wasn’t until 1998 that guitarist Tom DeLonge and bassist Mark Hoppus recruited Barker to play drums on the band’s best-selling album, 1999’s Enema of the State. The band stuck around for two more albums, Take Off Your Pants and Jacket and Blink-182, before its big break. Hoppus and drummer Barker went on to form +44 while DeLonge started up Angels & Airwaves.

Following the 2008 jet crash that nearly took the life of Barker and DJ AM, Hoppus blogged that he was hopeful that a Blink reunion could happen after admitting that he and DeLonge were once again friends. “Hi. We’re blink-182. This past week there’ve been a lot of questions about the current status of the band, and we wanted you to hear it straight from us. To put it simply, We’re back,” the band said in a post-Grammy statement on their Website. “We mean, really back. Picking up where we left off and then some. In the studio writing and recording a new album. Preparing to tour the world yet again. Friendships reformed. 17 years deep in our legacy.

“Summer 2009. Thanks and get ready… ” the band says to conclude the statement. To help you get ready, check out our photo gallery capturing Blink through the ages, from the Dude Ranch era with drummer Scott Raynor to their stint on the Warped Tour to their little people-backed performance at the MTV Music Awards. Bonus points for predicting exactly how the trio’s tattoo collection grows exponentially over the course of five years:

• Blink-182’s Rock Show: Mark Hoppus, Tom DeLonge and Travis Barker’s Journey

There is a video clip in Guitar Hero: Metallica of Lars Ulrich performing on a silent drum set while covered in motion-capture equipment. He’s playing a song Metallica haven’t played in more than a decade, and he can’t get the timing right. After a handful of takes, he finally makes it through, and collapses in a heap on the floor. “I’m sorry for all the bad things I’ve done in my life,” he moans.

Now gamers can feel Lars’ pain as the Metallica-themed version of the juggernaut Guitar Hero franchise hits stores March 29th for PlayStation 3 and Xbox 360 consoles (Wii and PS2 versions will follow later in the spring). In a storyline concocted by frontman James Hetfield, players begin as Metallica’s opening act, and eventually play as Metallica once they prove their mettle.

Everything about the game, from the menu animations based on art by Pushead, Metallica’s long-running collaborating artist, to venues and stage sets from all phases of the band’s career to signature lighting effects and crowd chants will be familiar to fans. The motion-capture used to animate the band is strikingly lifelike, as all of the signature moves are there: the contemplative Hetfield during the opening of “The Unforgiven,” the preening Ulrich hopping up from behind his kit to be seen after every song, and bassist Rob Trujillo’s crabwalk and spins.

The members all initially appear as their modern-day selves, but there will be unlockable character skins that hearken back to earlier eras. Although no past members are in the game (there go fantasies for a Cliff Burton cameo — the band feared his inclusion may have felt like a slight to Trujillo), a few of Metallica’s heroes make appearances.

The full track list for the game will be released next week (update: here it is), and Neversoft employees admit that the list of songs which has been announced so far was a bit of a tease — a list heavy on material from the band’s self-titled album and onward (”King Nothing,” “Fuel,” “No Leaf Clover,” etc.) — but fans of the early days will get a kick out of the remaining tracks, which include a few deep cuts and covers that the band has very rarely performed.

The gameplay remains true to previous incarnations of the franchise, allowing players to perform vocals, guitar, bass and drum parts, with the main addition being a new skill level, dubbed “expert-plus,” which requires an additional kick-drum pedal for double-bass on some of the band’s thrashier songs. When the lead developer of the game fails out at 24 percent of the way through a song and calls another “totally impossible,” it’s safe to say that this is the most demanding any rhythm-based game has made itself so far.

However, one drawback is that although Hetfield and Kirk Hammett are one of hard rock’s most celebrated guitar duos — and the game is called Guitar Hero — there is no option to choose between lead or rhythm guitar, limiting players to only one guitarist per band, and not allowing any Hetfield/Hammett riff-trading. If fans at home figuring out the guitar tablature to post online can do it for free, why couldn’t a wildly successful game franchise trying to create “the ultimate Metallica experience” pull it off?

The game disc also comes with bonus features, including live videos from special performances and footage of the band making its contributions to the game, as well as early images, set lists and miscellanea from the band’s career. In addition, the track list will not feature solely Metallica tunes, but also songs from the band’s friends and influences, such as Alice in Chains, Lynyrd Skynyrd and Lars’ new favorite band and current Metallica tour opener, the Sword. Sadly, the game was completed before a Rock and Roll Hall of Fame induction ceremony stage could be included.

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